September 2011

Made of trees
Friday, September 30, 2011
Processed paper trestle by piadesign.eu made from recycled paper and adhesive.

A final post this week with additional work from Pia Design, based in London...

Processed Paper Trestle from piadesign.eu

In this series, which she calls Processed Paper, Pia builds layer upon layer of recycled paper and glue to create a lumber of sorts. She then sculpts her "wood" as if it were actual wood, using regular ol' tools for building regular ol' furniture. The result is pretty wild (see more of her process here).

Processed Paper Trestle legs from piadesign.eu

This collection of Trestles (she also makes tables and lamps) is especially appealing because it references so many things - woods, marble, paint, print, plastic - but not for a moment paper, the most prominent ingredient in its making.

Processed Paper Trestle legs from piadesign.euProcessed Paper Trestle legs from piadesign.eu

Pia also plays effectively with the Trestle itself. Typically an unedited form, the Saw Horse is often made on site for doing other, more important tasks. But here, the Trestle takes on a new design presence with the thoughtful addition of color, asymmetry and sculptural form. As if built from repurposed, refinished, vintage table legs, Pia has accomplished a challenging task indeed: To interpret traditional forms in a modern, whimsical context.

... Sound familiar?

malia@furniturea.com
Urban Craft for Rural Modern
Wednesday, September 28, 2011
Stacking Vessels made of glass, wood and clay by piadesign.eu

Pia Wustenberg is a designer of whimsical objects, great and small... 

Stacking Vessels made of glass, wood and clay by piadesign.eu

In her 2011 series, "Stacking Vessels", she fabricates 3-in-1 containers made of clay, glass and wood. Presented as stand-alone pieces or in rainbowed groupings, this series is her strongest, most refined work to date.

Stacking Vessels made of glass, wood and clay by piadesign.eu

The craft and care that went into each vessel's making is apparent - every one is precise without being rigid; is bright without being cute; is referential without being redundant; is sophisticated without being stuffy. In the end, they are beautiful objects, able to cache and display things of value.

Fabricating Stacked Vessels from piadesign.euFabricating Stacked Vessels from piadesign.euFabricating Stacked Vessels from piadesign.eu

What is clear from perusing Pia's website is her playful approach to design. She is curious, clever, and seems to ask What if? and Why not? with some frequency. It is from a place of wonder that she generates and executes ideas, and it is her experimental spirit that leads to excellent work. Believing in, and adopting, a habit of work is more likely to result in brilliance - more so than the narrow pursuit of preconceived perfection. Pia's an idea person - she has questions and designs herself answers. Her Q&A may not always be my cup of tea, but the approach most certainly is. Have faith in process and ye shall receive.

malia@furniturea.com
... knot
Monday, September 26, 2011
Knit neoprene cushion from neodesignart.com

The knitting on Rural Modern Home keeps getting weirder and better - check out Neo, an Italian company that specializes in knit neoprene accessories.Knit neoprene cushion from neodesignart.com

Neoprene, a form of synthetic rubber, was invented in the 1930's. See scientist-extraordinaire, Julius Nieuwland, hard at work!

Open source photo of Julius Nieuwland, scientist behind the eventual creation of Neoprene.

... and then advance in history - past Nieuwland's experiments, past DuPont's acquisition of Patent rights, past the inaugural application in fly fishing - and into the present moment. Here, you'll find Neo's oddly inviting, rubber-like textiles. Knit into useful, sculptural forms, their bowls and cushions are substantial yet supple - appearing cartoonish and industrial in each and every stitch.

Knit neoprene bowl from neodesignart.com

Neo's products have an androgynous appeal, and are not what we'd call fully "feminine" or "masculine" in vibe. And yet, they're personal pieces, clearly constructed by hand, and imbued with character, asymmetry, and spunk.

 

Knit neoprene bowl from neodesignart.com

Their neoprene cordage varies in thickness - sometimes thin and stringy (below) and other times thick and doughy (above). When knit to completion, the works appear nest-like. Hospitable, futuristic digs, am I right? As if they're interlaced fingers poised to cradle something delicate...

Knit neoprene handbag from neodesignart.com

... Or else mats of rubbery hay...  I guess it all depends on the beholder.

For more on Neoprene, click here.

malia@furniturea.com
knit...
Friday, September 23, 2011
Large weight knit stool cushions. Image and cushion by claireanneobrien.com

Welcome Anne O'Brien to the Rural Modern Family. Her fabrications have gained recent popularity in the design community, featuring classic and experimental knitting techniques that make us feel nostalgic and puzzled at the same time. as well as a sense of strange familiarity. Like regular-old-knitting, but not quite... Like regular-old stools and benches, but not entirely.

Knit stools by Claire Anne O'Brien. Image from claireanneobrien.com

Their presence is strangely familiar, reminding us of tradition (without reinforcing it), and providing a place for us to sit (by being as functionally prominent as it is decoratively so).

Knit stool seat by Claire Anne O'Brien. Image from calireanneobrien.com

O'Brien's work is weird and unlovely without being alienating. This is no small achievement, considering how many bizarre creations are made to intimidate - even bully - without any nuance whatsoever.

Knit stool by Claire Anne O'Brien. Image from claireanneobrien.com

Like underwater creatures or industrial hosing or something vaguely anatomical, O'Brien's stools are just the right mix of old and new, beautiful and strangely, hefty and delicate. The thought of clustering some in our showroom is pleasantly peculiar, just like seating itself.

malia@furniturea.com
500%
Wednesday, September 21, 2011
Knit nest, shown hanging from urban dwelling. Nest from piadesign.eu

For the purposes of Rural Modern we'll be focusing on the hinterlands of knitting - more so than, shall we say, suburban expressions of the craft. No sweaters, socks or scarves. Instead, we'll explore the tradition's far-reaching realms - those slightly experimental areas where function remains intact and appearances change.

Knit Nest from piadesign.eu

Knitting, conventional or otherwise, is an organic process. It's one that certainly can adhere to strict pattern and rule, but in reality is as subject to order as it is to impulse. Unlike weaving, where warp and weft relate in perpendicular-only-arrangements, knitting is unbound (directionally speaking) and can take on multitudinous shapes, forms, and functions. It does all this and remains recognizable as the age-old craft it is at heart.

Knit Nest from piadesign.

So, too, is knitting flexible. Counting rows and stitches with sharp attention can produce precise finished pieces. Ask any seasoned knitter; they're always keeping track. However, try as you may to be in charge of your work, in the end your garment will prevail over you every darn time. This is due in part to the following: Knitting is expansive. Stretching up to 500% of its intended/original form, its loops and gaps are subject to any and all environmental conditions . Weaving, on the other hand, is less responsive to time or place, holding more tightly to the way it should have been.

As examples, check out these funky Urban Nests (impromptu, hanging resting-baskets) by PiaDesign. We'll be looking more closely at her work in posts to come, but for now take note of her stretchy and supple, private and public, there and then gone, single-person-knit-pods. They're not your Granny's sock monkeys, that's for sure. Not better, and not worse. Instead, they live into difference, just as the tradition allows.

malia@furniturea.com
Wo-wool Modern
Monday, September 19, 2011
Image of unshorn sheep from thecampaignforwool.org

Knitting, like most traditional craft, remains relevant at its core (the repeated inter-looping of fiber to make cohesive, dimensional garments) and bears obvious resemblance to its practice  centuries ago. In someways - indeed the most essential ways - knitting is exactly the same. Like breathing, it exists in its most reduced, efficient form. Think Simple Machines; the best any one can do is gain advantage by accepting their inherent utility.

Simple Machines. Image from US Government via wikipedia.org

When discussing or engaging in traditional practices, opportunities for invention lie in application rather than whatever mechanism is at hand. It is not imagining the loop; it is instead contemplating scale, material, environment, and use. Knit a mitten or a house, with hair or synthetic, by way of hand or machine; it's knitting all the same.

Antique photograph of a woman knitting properly.Old photo of Maine woman knitting. Image from Habetrot.typepad.com

Old and new, rural and modern, urban and personal - at Furniturea we go back and forth, betwixt and between - forge ahead by connecting honestly with the past.

Old photo of a Welsh knitter. Image from knitsofacto.blogspot.com

Lineage is important. Ritual matters. Past is prologue, and so on and so forth. But in all seriousness, let's not pretend we're living and designing in sterile, divorced and autonomous contexts...

... Because we're not.

malia@furniturea.com
Limonium
Thursday, September 15, 2011
Limonium photo from bie.ala.org.au Edited by Rural Modern Home

Sometimes the things we believe to be most fragile are in fact the most resilient, most certain, most assured. Take the proverbial old soul, whether human, dog or cat, these sorts of beings may initially seem quiet, small, withdrawn - and they may indeed be - but not for reasons of weakness.

Limonium seed photo from wildflower.org Edited by Rural Modern Home

No, old souls have discretion about them because they experience the present through awareness of the past. This mechanism of perception is not literal - it's not even conscious. But it occurs nonetheless.

Photo of statice from asiaflora.com Edited by Rural Modern Home

Flowers are in this category of creature. Still and silent, patient - ever old and perennially renewed.

Statice speciment from swbiodiversity.org Edited by Rural Modern HomeSea Heather specimen from swbiodiversity.org Edited by Rural Modern Home

Among the most deceptively delicate is the genus Limonium, home to 120 heathers and statices that thrive in the driest, wettest and/or saltiest of environs on earth. Stoical, quavery, solid and light, these beings sprout from and sustain themselves in challenging conditions, just as they've done for years and years and years and years.

Photo of statice from clients.ingenious-web.com Edited by Rural Modern Home

The underdog? The struggler? The ever-vulnerable meek one? Hardly. The limonium family is wise - wiser than most. It just doesn't let on in ways newer souls easily understand. By straddling the realms of then and now they are forever relevant, if unobtrusive with their sageness.

malia@furniturea.com
Astrosanguineus
Wednesday, September 14, 2011
Chocolate Cosmos image by whatcom.wsu. Edited by Rural Modern Home

Another post for another fabulous bloom... the Chocolate Cosmos (to Linnaeus-lovers: Astrosanguineus).

Chocolate cosmos flower image by eyefetch.com. Edited by Rural Modern Home.

Grown in Maine as an annual from seed - or as a tender perennial in warm greenhouse settings - the Chocolate Cosmos is a sensory delight for any gardener's patch of sunny soil.

Chocolate cosmos flower image by crowders.co.uk. Edited by Rural Modern Home

Like traditional Cosmos (which we often take for granted as regular-old, sun-loving, pastel-painted summer flowers) they're cool and complex, photosynthesizing creatures that (like Verbena Bonariensis) capture the olden days, and the newer ones, all in one exquisite, living and breathing, seed-bearing being.

Chocolate cosmos flower from bloomingwriter.blogspot.com. Edited by Rural Modern Home.

And they are beings... Each one actualizing its purpose in its own unique, individual way; expressing its own version of brown/crimson/purple petals; its own bowing, arching, sun-seeking stem; its own own slightly chocolate (but more vanilla) scent for interested insect, bird and people passersby.

Chocolate cosmos flower photo by redbubble.com. Edited by Rural Modern Home.

Each bloom is portal-esque - like the farthest reaching point of an entirely other world - one located deep into and under the land beneath us. A different and foreign place - where Astrosanguinei are brave and docile ambassadors to life on our side. How oblivious we might indeed be... just sweet smelling flowers? Perhaps. Or perhaps buoyant satellites, attracting sun and water, wind and bees, all the while offering patient calls to us: Pay attention.

That we are unhearing reflects on us, not them. For there is nothing less indifferent than a flower in summer in Maine. There simply isn't.

malia@furniturea.com
Purpletop Vervain
Saturday, September 10, 2011
Verbena bonariensis from mendocino.edu. Image edited by ruralmodernhome.

As most of us know, it is a unique pleasure to receive freshly cut, local flowers all bundled together in a vibrant bouquet. Recently, I was fortunate enough to receive such an arrangement, and was doubly pleased to discover that it contained one of my most treasured cut blooms: Verbena Bonariensis.

Field of verbena. Image from bodantplants.co.uk. Edited by ruralmodernhome.

Gardens, flowers, plants and farms are, like Furniturea, both rural and modern. Their roots are (literally) as much in the past as they are in the present, and they can appear and feel old fashioned or contemporary, depending on how they're applied.

Bee polinating verbena. image from botany.wisc.edu. Edited by ruralmodernhome.com

Verbena Bonariensis is a flowering plant with clustered, almost moss-like terrains of diminutive lavender blossoms that emerge from stark, linear stems, darting dart here and there at 45 degree angles. Whether planted alone or combined with other species, Verbena is a striking, fierce flower that is distinct without being dominant. The purple sepals and petals are antique-ish while the firm, narrow stems are angular and modern.

Verbena from gardenergal.flikr.com. Edited by ruralmodernhome.

From a distance Verbena may seem sweet or pretty - like light little flowers dotting the garden-scape. But look more closely and you'll see a plant growing to a different tune. They're weirdly beautiful - other worldly, even. Sweet enough for the bees, and strong enough to hold goldfinches who frequently pause on stalk and stem to prepare themselves for swoops and glides through smooth summer air.

Need locally propagated Verbena Bonariensis? Click here.

malia@furniturea.com
Life. Bigger.
Friday, September 9, 2011
Photo of bolted plants by Maarten Kolk via define-us.blogspot.com

Another post for Maarten Kolk, bolted plant aficionado. His stark herbal portraits show greens posing grandly, with exaggerated stature and amplified personality.

Image by Maarten Kolk via define-us.blogspot.com. Photo of bolted vegetable plant.

His specimens are attention-commanding - plant-like and human-like at once - each one eliciting envy. Envy? Yes, of the combined opportunism and singular purpose that all plants have over people. We've all been misplaced, confused, unable to produce - sometimes for large chunks of our lives. The seed, the bulb, the tuber stray not from their intended purpose. They fulfill and achieve with gentle effectiveness - although the silence of their work is deceiving. Plantly deeds are huge, enormous, wondrous. The universe expands and contracts with every photosynthetic breath. Sighs and sighs of big and beautiful green...

Image by Maarten Kolk via define-us.blogspot.com. Photo of bolted vegetable plant.

malia@furniturea.com